This paper attempts to discuss how post-Mao Chinese writers have dealt the "past" through reading Wang Anyi's works that focus on describing urban consciousness and the life in Shanghai alleys.

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This paper will study one of the most characteristic products of Chinese literati culture: the intercreative relationship between poem and painting, word and image.

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This study explores the configurations of the tropes of "home" (jia) and female bonds in contemporary Chinese women's writing, gender culture, and urban culture industry.

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